BARKography

I officially launched BARKography on June 11th and here is the new logo design. When I decided to start a photography division I tacked on photography to See Spot Run and then later learned that the name was trademarked by another photographer. Before that led to any issues, I decided to be proactive and change the name, hence BARKography. Once I decided on the name, the next process was developing a logo. Here is the winning design: BARKography logo

Another attendee at Barkelona referred me to 99Designs.com. 99Designs.com is a site where you can have graphic artists from around the world enter a contest to design your logo. I originally thought I wanted a logo using my dog Moose but all of the designs using him looked like clipart to me.  The original artwork submitted to me was this:

BARKography

I was immediately drawn to it but I wasn't sure it was exactly what I wanted. After a few days of going back and forth on ideas with the artist, he created this and I love it!  What do you think?

Project 52, week 27: Sky

For our Pet Photography Project 52 week 27, we are taking a break from the book and we have a freestyle theme, sky. Most of you know that my regular job is as a dog walker and pet sitter.  Most days in the summer time, I am pet sitting 7 days & nights / week while my clients vacation. That means I am working during sunrise and sunset and since I've started this dog photography thing, I drive around at dawn and dusk and dream of being in a great location with a dog so I can photograph him. This week with our theme being sky, I decided to make certain that I got a dog in front of a sunrise or sunset. My other challenge with trying to do sunrise, sunset or photography when the focus is supposed to be the sky is finding a location. Charlotte NC is beautiful and a great place to live, AND it is full of trees. Those trees make it difficult to find places where there is a lot of open sky. However I am pet sitting with Ursa again this week and while out walking her I discovered a large, steep hill. Does anyone else do this?? Please tell me I'm not the only one because I immediately thought, "That spot would be a nice place to put a dog for a photograph!"

The night we did this quick session with Jack we were really lucky because there was a breeze so it didn't feel like it was 100°. However even with the breeze, Jack was warm but at 12 years old I think he did great! I do think he was happy to be back in the car in the a/c though!

project 52 week 27 sky

sky

I had an opportunity with Ursa the next morning to take a few photos of her too.

the sky at sunrise

On those days when I don't have my camera with me, every time I see a great sunrise or sunset I get a pit in my stomach and I yearn to be out with my camera and a dog. Perhaps I am a little obsessed. :)

Remember this is a blog circle and next up is Little White Dog Pet Photography - Sioux Falls, SD. If you continue clicking the links at the bottom of each post, you'll end up right back here. I'm excited to see everyone else's sky shots.

 

Project 52, week 30: Quality of Light

Quality of light is our topic for week 30 of our Pet Photography Project 52 challenge. As we have over the last 2 weeks, we were supposed to pay attention to the direction of light as well as whether or not the light was shining through our subject or on our subject and we were to access the intensity of the light. I am afraid this particular assignment would have been a better suited for cooler weather. Temps have been hot (95+) and humid in Charlotte. My full time job is working as a dog walker so I am out in the heat every day from 9am-3pm-ish. This past week when I've not been outside walking dogs, I've opted to be inside in the a/c.  The fact that this week we are discussing the quality of light seems rather ironic since I was shooting in lighting conditions I've never shot in before and there wasn't much to assess. The conditions were poor but I made the best of it and I had a blast!! On Saturday, I volunteered for 4 hours for the Humane Society of Charlotte at the Mega 500 Adopt-a-thon. I was the photographer at the "Finish Line." I took photos of each adopted dog or cat and their new family so they'd have their first family photo. It was pretty easy for me to assess the light. I can sum it up in one word: poor.

Thankfully we were indoors in the a/c. Not so thankfully, we were indoors... the quality of light inside the building wasn't great for photography.

True story - I'd filled out an application to volunteer at the Humane Society of Charlotte a week ago and I received a response back on Friday afternoon. I replied back to the email asking if they ever needed a photographer. I got an immediate response back asking if I was available on Saturday (the next day!) I was, so I volunteered.

Now, mind you, I am not an indoor photographer. I do have an external flash for my camera but I rarely use it. I figured if they didn't have me they'd be using their cell phones and I was pretty sure I could do better than their phones.

I met some wonderful people and a dog I wanted to adopt. I did not adopt the dog but I keep thinking about him. My husband even asked me tonight if we could trade our brown dog for the dog I met on Saturday. (He was teasing but crazy Moose has been a bit challenging the last few days. Perhaps this dog walker needs to hire a dog walker for Moose! :) ) To see all of the photos from Saturday. go to the BARKography facebook page: click here to see all the dogs and cats that were adopted. 

Here is a sneak peek.

quality of light

light

light

Next up in the blog circle is Northeast PA Pet Photographer, Elaine Tweedy. Be sure to click the link at the end of each post and you'll end up right back here. Happy Reading!

Project 52: week 29: Backlight

First of all, my apologies to the other photographers for my late entry into our project 52 challenge. I've had an exciting couple of days and I have been distracted. I was really excited when I saw the challenge for this week because I love images with backlight. I had the pleasure of working with Charlotte Reeves of Charlotte Reeves Photography when I was in Spain in April at Barkelona. She is famous for the way she backlights her subjects so I got to learn from the best. However learning and then actually doing proved to be 2 different things. :) backlight

Here is the story of my shots for this week.

I've been working on getting a new logo made for BARKography. My thought was to try and use my lab Moose (you know.... the crazy one) as the model for my logo. My goal was to use him in these backlighting shots and also create an image to use for my logo. I had been texting with a friend about this and she offered to help me with crazy Moose.... get this, at sunrise! She is a good friend.

backlighting

We met at Freedom Park which is a nice park, with a large lake and stone bridge. I have an app that helps me see where the sun is going to rise, it gives you the golden hour times (the app is The Photographer's Emphemeris) so I felt pretty prepared.  The app is fairly complicated (to me anyway) and what it would've told me but I failed to do was check the elevation. It will determine elevation and the surrounding terrain and factor that in and I skipped that step. If you've been to Charlotte NC before, there are lots of tree.  Lots. Of. Trees. Said trees were interfering with my sunrise shots.

backlight

backlight

My biggest takeaway from the weekend was to assess the location and work with what it is giving me. I'd gone into the session thinking that I could take photos of Moose with the lake in the background and the backlight behind him which was perfect because the sun was rising behind the lake. What I didn't learn until after the session was that all that water and sky behind my dark brown dog was tricky at best to get the proper exposure.

This is a blog circle. Click the link at the bottom of each post and you'll end up right back here. I can't wait to see the other's photographs using backlighting. Next up is St. Cloud based & serving central Minnesota, About A Dog Photography.

Pet Photography Project 52: week 26, 27, 28: See the Direction of the Light

For this week's challenge, we are talking about the direction of light. Using front light when taking a photograph is usually the easiest and what most people do because it evenly lights the front of your subject. Side light can be more challenging especially if you're only using natural light because whatever part of your subject isn't lit, will be in the shadows. This week we are to post images that use both front lighting and side lighting. I also have another purpose for the photos that I am taking this week and for those photos, my intent is to use my dog Moose. Remember him from a few weeks back? I used him as my model and we had a few instances of chaos, broken sunglasses and a photography assistant who ended up on the ground when Moose started running too fast and she was the one holding the leash. Does that ring a bell? If not, find the blog post entitled Horizons and you can read about our escapades.

Why do I want to even attempt to get another photo of Moose? I want an image of him that can be used in a new logo I'm creating. The logo that I use on my See Spot Run page is actually an outline of our yellow lab Willow's head.

See Spot Run logo

Why am I creating a 2nd logo? I made a BIG announcement this week and for those of you who have either "liked" me or my See Spot Run page on Facebook, you've seen the news. See Spot Run Photography has a new name.

BARKography

BARKography was officially launched on June 11 which also happens to be my mother's birthday and she is probably my biggest supporter so it seems fitting.  My new facebook page is BARKography by Kim Hollis. Please visit, if you feel so inclined 'like' the page and comment. If I haven't liked your page, please feel free to send me an invitation. We need to support each other! I commit to doing better at commenting on others' facebook pages. Too often I wonder if anyone is ever reading what I write. I promise to comment more often so you'll know someone is reading what you write. :)

I am so excited for this I can't stand it and I'll blog about all of this soon but back to Project 52 and the Direction of Light. With the photographs of Moose, I needed a background without a lot going on so we went up to the top level of a parking deck. I wanted a side shot of him so I could use an outline of him. This was the result.

direction of light

This next photo is an example of what the graphic designer could do with the photograph. I can tell that this is definitely Moose but to me it looks like clip art I could get anywhere on the web. Back to the drawing board and trying to get more photos of Moose. If anyone has any suggestions on what might look good, I'm all ears!  btw - Moose was leashed up this entire time and he was very well behaved. It was super hot outside so I think that zapped some of his energy. That also explains the tongue hanging out of his mouth here. I definitely got some great photos to post for "Tongue Out Tuesday" on Instagram!

new logo

I didn't have photos of Moose where the direction of the light would be side lighting so for those, I'm using a model named Ursa. She is a pet sitting client and I love her eyes.

direction of light

As I was writing this post, I got an email from the graphic designer. She is going to show me a couple of logo proofs today. I'm so excited. I've been up til midnight twice this week (and that is sooo late for me) working on my logo. There are a ton of fonts to choose from so I'm excited to see what the graphic designer has created. Once I get the logo finished, then I'll be on to creating a new BARKography website.  My See Spot Run dog walking and pet sitting site will remain but I'll have one dedicated specifically for photography.  AAAAHHH (angels singing emoji would be appropriate here!)

Remember this is a blog circle. Click the 'next up' link at the bottom of each post to see each photographer's take on our assignment this week Direction of Light. I always enjoy reading Northeast PA Pet Photographer, Elaine Tweedy's posts. Her sense of humor and personality come through when she writes. Makes me wish I could meet her some day... but I digress (as I always do!!) Keep clicking the links until you end up right back here. Happy reading!!

Pet Photography Project 52: Week 23 Learn to Sketch

Week 23 of our project 52 challenge has the title Learn to Sketch. When I read this, I really didn't know what to expect and then the first paragraph states: "The idea that this craft is easy gets unfairly promoted from all kinds of corners, not the least of which are the camera companies themselves. But it's not easy. No new camera will help you 'shoot like a pro...' " This resonates with me on so many levels. I was guilty of thinking this way. A year and a half ago when I bought my first professional camera, I thought I'd buy the camera and boom, I'd be a professional dog photographer. Wow, was I wrong. I had no idea there was so much to learn and I know I need to do a better job of educating others about everything that goes into creating an image that has an impact on its viewer. It is hard. It is frustrating. It is expensive. It is time consuming. It is amazing. It is worth it. It is gratifying. It is humbling.

I truly love it.

If it wasn't hard, everyone could do it and everyone's photos would be great.

Back to Learning to Sketch. In our book The Visual Toolbox by David Duchemin, he says and I am paraphrasing: Because we so often see only the final work of the photographers we respect, I think we miss what would be an otherwise eye-opening chance to see their process.  One that he likens to 'sketching.' He says painters sketch out their images and many even have a process that often involves scraping the canvas clean and starting again. He says as a creative person, you have to be open to not getting it right the first time.  You have to be open to playing and to experimenting. He looks at his failed images as rough drafts and he says he makes hundreds of them.

Here is a true story: an amazing photographer whose work I admire so much posted several images recently. I was with her when she took some of them and my images don't look like hers. Her photography skills are certainly better than mine as are her editing skills. I responded to her post by saying: "I mean this in the highest form of flattery but I envy your talent so much it hurts." I want to be that good.

Duhcemin says he keeps his old images and looks back on them and sometimes they take him to new places. They remind him not to get discouraged because they might lead him to the heart of what he's trying to create. The first sentence in our assignment instructions this week: 'Stop being so hard on yourself.' Ha! If he only knew how close to home that hits. Well timed sir, well timed! :)

So I decided to take a look back on some older images of mine. The next two photos are ones I took after having my camera for about 2 weeks. I had no idea what I was doing. For the photogs reading this, I was in Aperture priority (ha! that's a miracle! I now shoot in manual but I half expected to find I'd been in automatic mode.) My settings were f/5, 1/80 and ISO 1000. Typing that makes me laugh. None of those settings make sense at all and at least now I know that. I have made progress, hopefully a lot of progress since Aug 2014.

sketch

sketch

Back to the challenge this week, to me, this comes down to editing. If you don't get the shot right in the camera, some times there are things that can be done in post processing that will make a photo heaps better. For example if you underexpose the shot because you didn't have a change to change your settings because your subject was moving around, things can be done in post processing to fix this. (I am not at all implying that photographers should rely solely on their post processing to "fix" their images.) Because I feel as though my editing skills are really lacking, I try really hard to get the shot right in the camera. I don't know LR and PS well enough to try and adjust the colors too much. If I do play around with them, inevitably I end up with a green cast on the dog or some sort of result that I don't want.

Here are two images from a photo session I had this past week. I love images that have a lot of bokeh in the background. In this image, as much as I wished that were the case in the background here, it wasn't happening. I'm posting the final version first (but I can't guarantee I won't tweak it some more) and then one of my attempts at working on the background.  My very first attempt at editing involved trying to mirror the left side of the image on the right side. I was trying to get rid of the green leaves because I prefer the background on the left side of the photo. That attempt did not work at all. Just like a painter, I started over and over on this image several times.  My next attempt I tried mirroring the right side on the left side. (see below.) After spending more time that I should admit (it was hours), I went back to the original background. Perhaps next time, I will remember to really look at my background and consider re-framing it when I am composing the shot. Perhaps this will be one of those shots that Mr. Duchemin is talking about when he says that hours, months or even years later he'll go back to one and consider it again.  Perhaps I'll decide that the original is just fine. But if I am being honest, all I was worried about at the time was I had 3 dogs holding a stay in front of me and I needed to take their picture!

sketch

sketch

Next up in the blog circle is Pet Love Photography, serving Greater Cincinnati and the San Francisco Bay Area.  Be sure to click the link at the bottom of each post and you'll end up right back here again!